Shadow puppet show in Ulaanbaatar, Mongolia. (Photo: Baha'i World Centre)
This article is for those of you who either feel “terrified”, or maybe just simply “at a loss” when it comes to integrating the arts into your study circles. You know that we are urged by the Ruhi Institute to “include artistic endeavours in the activity of every study circle”, and that we should not think of these endeavours as “entertainment or as an extracurricular activity…but as an essential element enhancing the spiritual development of the participants”.
But how do we do this when we don’t feel necessarily musical, artistic, or dramatic? Continue reading
Photo: Freedom House via Flickr
The recent news and accompanying images of those who drowned while attempting to flee war-torn Syria has brought the entire world to tears. No matter what their age, background, or religious affiliation, people have been deeply affected by the tragedy and almost everyone has been left feeling helpless and searching for a means to ‘fix’ the current global refugee crisis.
In light of this news, I was particularly moved by the following excerpt taken from The Promise of World Peace by the Universal House of Justice: Continue reading
Study circle participants in Biharsharif, India (Image courtesy Baha’i World Centre)
Several weeks ago we conducted a Baha’i Blog survey
, and many of the survey participants said that they liked the posts relating to the Institute Process
and wanted more.
Of the eight articles we publish every month, we always try to have at least one of them relate to the Institute Process in some way, and so here’s a roundup of 22 Baha’i Blog articles we’ve published over the last few years which relate in various ways to the Institute Process. Continue reading
Photo: Morris S
Over the last 15 years I’ve had the opportunity to participate, tutor, and be involved to varying degrees in numerous Baha’i study circles in different parts of the world. I’ve experienced very good ones, and ones that could use a little work. Ones that completed the Ruhi book we were working on, and ones that fizzled out before completion. Ones that were run at an extremely intensive and accelerated pace, and ones that took over a year to complete. Ones that brought people into the Faith, and ones that weren’t very well received by some of the participants.
The fact is that no matter what you think about study circles or what your involvement has been with them over the years, study circles have and continue to revolutionize many Baha’i communities worldwide, helping to change the overall culture of the Baha’i community – and I think for the better.
Of course there’s always room for improvement, and we’re all learning through action and reflection while continuously developing and working on improving our ‘posture of learning’, but I thought it would be interesting to look at just six of the ways study circles have helped the Baha’i community, so let’s take a look: Continue reading
For the past decade I’ve had the pleasure of working with the music group MANA, who’ve recently finished recording their fifth album. Many of my friends and the Bahá’ís I’ve met while travelling have asked about MANA and why this project in particular is so important to me.
Well, before I answer that and start going on and on about MANA (which, trust me, I can do for hours), for those of you who haven’t heard of them, here’s a quick introduction.
MANA, which means “inner power” or “strength of spirit” in many of the Polynesian languages, is a musical and cultural performance group made up of young Pacific Island Bahá’ís who are mainly based in Sydney, Australia. MANA’s albums are all based on the passages from the Writings which are studied in the sequence of Ruhi books. Although these albums are predominantly in English, most of their songs are infused with the languages, chants and rhythms of the Pacific Islands. The group has released four albums so far – one album for each of the first four books of the Ruhi sequence – and is currently preparing their fifth album (based on Book 6 of the Ruhi sequence of books) for release.
MANA’s albums have been incredibly well-received around the world, but the MANA project (as we like to call it) is far more than being just about making music and selling CDs. Personally, I have always found MANA to be such a powerful and incredibly inspiring initiative because of the way it exemplifies many of the concepts and ideas discussed by the Universal House of Justice in relation to the Institute Process and the various Plans. To me, MANA represents many of the aspects of the new and exciting culture taking shape in the Bahá’í community. Continue reading