For the past decade I’ve had the pleasure of working with the music group MANA, who’ve recently finished recording their fifth album. Many of my friends and the Bahá’ís I’ve met while travelling have asked about MANA and why this project in particular is so important to me.
Well, before I answer that and start going on and on about MANA (which, trust me, I can do for hours), for those of you who haven’t heard of them, here’s a quick introduction.
MANA, which means “inner power” or “strength of spirit” in many of the Polynesian languages, is a musical and cultural performance group made up of young Pacific Island Bahá’ís who are mainly based in Sydney, Australia. MANA’s albums are all based on the passages from the Writings which are studied in the sequence of Ruhi books. Although these albums are predominantly in English, most of their songs are infused with the languages, chants and rhythms of the Pacific Islands. The group has released four albums so far – one album for each of the first four books of the Ruhi sequence – and is currently preparing their fifth album (based on Book 6 of the Ruhi sequence of books) for release.
MANA’s albums have been incredibly well-received around the world. But the MANA project (as we like to call it) is far more than being just about making music and selling CDs. Personally, I have always found MANA to be such a powerful and incredibly inspiring initiative because of the way it exemplifies many of the concepts and ideas discussed by the Universal House of Justice in relation to the Institute Process and the various Plans. To me, MANA represents many of the aspects of the new and exciting culture taking shape in the Bahá’í community.