The Shrine of the Bab and its Significance

The Shrine of the Bab, located on Mount Carmel in Haifa, Israel, is where the remains of the Bab are buried. Baha'is who are able to go on pilgrimage to the Holy Land have a special opportunity to pay their respects and say prayers at the Shrine. (Photo: BWC)

On July 9th, 1850, the Bab, the forerunner to Baha’u’llah, the Prophet founder of the Baha’i Faith was executed in Tabriz, Persia by a firing squad of 750 men. The Bab, which means ‘the Gate’ in Arabic, was a Messenger of God, whose role can be likened to that of John the Baptist (who told of the coming of Christ) in heralding the coming of the latest Manifestation of God: Baha’u’llah.

Baha’is around the world commemorate the Martyrdom of the Bab as a holy day where work should be suspended, and for those Baha’is who are able to go on pilgrimage to the Holy Land in their lifetime, they have a special opportunity to pay their respects and say prayers at the Shrine of the Bab where His remains are buried.

After the Bab was executed, His remains were discarded outside the city gates of Tabriz, and some of His followers managed to retrieve and hide His remains for some 60 years until They were eventually transferred to the Holy Land where They were finally laid to rest on Mount Carmel in Haifa, Israel.

Abdu’l-Baha explained:

The most joyful tiding is this, …that the holy, the luminous body of the Bab … after having for sixty years been transferred from place to place, by reason of the ascendancy of the enemy, and from fear of the malevolent, and having known neither rest nor tranquillity has, through the mercy of the Abha Beauty, been ceremoniously deposited, on the day of Naw-Ruz, within the sacred casket, in the exalted Shrine on Mt. Carmel.1

The location of where the Shrine of the Bab should be built was conveyed to Abdu’l-Baha by Baha’u’llah Himself in 1891. Shoghi Effendi explains this in God Passes By:

In that same year Baha’u’llah’s tent, the ‘Tabernacle of Glory’, was raised on Mt. Carmel, ‘the Hill of God and His Vineyard’, the home of Elijah, extolled by Isaiah as the ‘mountain of the Lord’, to which ‘all nations shall flow’. Four times He visited Haifa, His last visit being no less than three months long. In the course of one of these visits, when His tent was pitched in the vicinity of the Carmelite Monastery, He, the ‘Lord of the Vineyard’, revealed the Tablet of Carmel, remarkable for its allusions and prophecies. On another occasion He pointed out Himself to Abdu’l-Baha, as He stood on the slopes of that mountain, the site which was to serve as the permanent resting-place of the Bab, and on which a befitting mausoleum was later to be erected.2

Abdu’l-Baha therefore planned the structure for this “befitting mausoleum”, and later under the guidance and supervision of Shoghi Effendi, it was designed and built. Shoghi Effendi explained the significance and sacredness of this:

I cannot at this juncture overemphasize the sacredness of that holy dust embosomed in the heart of the Vineyard of God, or overrate the unimaginable potencies of this mighty institution founded sixty years ago, through the operation of the Will of, and the definite selection made by, the Founder of our Faith, on the occasion of His historic visit to that holy mountain, nor can I lay too much stress on the role which this institution, to which the construction of the superstructure of this edifice is bound to lend an unprecedented impetus, is destined to play in the unfoldment of the World Administrative Centre of the Faith of Baha’u’llah and in the efflorescence of its highest institutions constituting the embryo of its future World Order.3

For us Baha’is, the Shrine of the Bab is the second holiest place on earth after the Shrine of Baha’u’llah in Akka, and it is a place of quiet prayer and meditation where Baha’i pilgrims and visitors from around the world can come and pay their respects. Shoghi Effendi also called the Shrine of the Bab the “Kuh-i-Nur ” (which means Mountain of Light in Persian), facing the “Darya-yi-Nur” (which means Ocean of Light in Persian), in reference to the Shrine of Baha’u’llah.4

In 1987, work began in building 18 terraces (also known as ‘the hanging gardens’) above and below the Shrine of the Bab (the Shrine of the Bab being in the centre making the total number of terraces 19) and these terraces represent the first eighteen disciples of the Bab. The terraces were opened to the public in 2001 and are now one of the most visited tourist attractions in Israel. The Shrine of the Bab, the terraces, and the other Baha’i Holy Places in Israel are also listed as a UNESCO World Heritage Site.

Today the Shrine of the Bab continues to serve as a beacon of light reminding us of the transformative power and impact of the Bab’s Revelation. In a message to the Baha’i world in 1953, Shoghi Effendi described the Shrine of the Bab to the Baha’is as the…

…Queen of Carmel enthroned on God’s Mountain, crowned in glowing gold, robed in shimmering white, girdled in emerald green, enchanting every eye from air, sea, plain and hill.5

This description reminds me of what one of the early followers of the Bab, Shaykh Hasan-i-Zunuzi, described the Bab’s voice as:

The melody of His chanting, the rhythmic flow of the verses which streamed from His lips caught our ears and penetrated into our very souls. Mountain and valley re-echoed the majesty of His voice. Our hearts vibrated in their depths to the appeal of His utterance.6

Wishing everyone a very special holy day.


  1. Abdu’l-Baha, quoted by Shoghi Effendi in God Passes By, p. 276 []
  2. Shoghi Effendi, God Passes By, p. 194 []
  3. Shoghi Effendi, Citadel of Faith: Messages to America, 1947–1957, p. 95 []
  4. Dhikru’llah Khadem, Baha’u’llah and His Most Holy Shrine, p.15 []
  5. Shoghi Effendi, Messages to the Baha’i World: 1950–1957 in a message dated 19 August 1953, p.175 []
  6. The Dawn-Breakers: Nabil’s Narrative of the Early Days of the Baha’i Revelation p.250 []

About the Author

Naysan is the editor of Baha'i Blog and he has worked in various avenues of media for two decades. He’s passionate about using the arts and media to support and explore the teachings of the Baha’i Faith and he has produced and collaborated on popular music projects like the "DawnBreaker Collective" and the successful Ruhi-inspired sequence of "MANA" albums. His experience as a producer for CNN was invaluable while working on a number of special projects for the Baha’i World Centre, including the "Building Momentum" and "Pilgrimage: A Sacred Experience" videos. If there’s a media-related Baha’i project out there, chances are that Naysan was involved with it somehow!

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